Jean-Claude van Itallie: playwright/performer/teacher
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A list of the plays of Jean-Claude van Itallie, review excerpts, rights information and how to get the plays.
performance pieces [written and performed by the author(s)] with photos, reviews and how to book the pieces. where/when Jean-Claude van Itallie will teach his workshop, The Healing Power of Theatre.
a short resume of Jean-Claude van Itallie’s work, his theatrical biography, teaching credits, plays he has directed, and where to get Gene Plunka’s book about him.
the web site of The Shantigar Foundation, "for where artistic and spiritual practices meet," founded and directed by Jean-Claude van Itallie, in Rowe, Massachusetts.
books written by Jean-Claude van Itallie and where to obtain them.
the Jean-Claude van Itallie Collection of papers at Kent State University.

Light

World premiere: October, 2004. Pasadena, California, at the Theatre at Boston Court, directed by Jessica Kubzansky. The cast: Lenny Von Dohlen as Voltaire, Jeanie Hackett as Emilie du Chatelet, and John Hansen as Frederick the Great. The sexy, witty love triangle of a king, beautiful scientist marquise, and Voltaire, the most famous man in Europe. A passionate, painful, incandescent voyage to enlightenment and revolution.

EXCERPT

FREDERICK
Our dark world will change.

VOLTAIRE (speaking simply as the light around him grows brighter)
God of all worlds and time please look with pity on the errors of our nature. May our errors not become our calamities. You didn’t give us hearts so we should hate, nor hands so we could strangle each other. May we help each other bear the burden of a painful and transitory life. May the small differences in our clothes, in our inadequate languages, our imperfect laws and cherished opinions – so huge in our eyes but nothing before you – may all these nuances which distinguish the atoms called men not be signals for hate. Let those who light candles to celebrate you tolerate those who content themselves with the light of your sun. May it be the same to adore you in an ancient jargon as in a new liturgy. Let kings who rule a little pile of mud in this world, and those who own a few rounded fragments of a certain metal, enjoy without pride that which is called fame and wealth. And let others see them without envy – for you know that in these vanities there’s no cause for pride, nothing to envy. We are brothers.

(We hear faintly the Marseillaise.)

Let us hold in horror any tyranny held over our souls, and even if the scourge of war is inevitable, let us not hate each other.

(Music ends.)

Let us use our existence here to bless, in a thousand languages from Siam to California, your goodness, which has given us –

(He pauses, looking at us.)

– this instant.

FROM REVIEWS OF LIGHT

"…a beautifully performed debut from Pasadena's The Theatre @ Boston Court.

Under Jessica Kubzansky's stylish direction,a trio of first-rate performers evokes finely drawn, riveting characters racked with inner conflicts.”

-- Phillip Brandes, LOS ANGELES TIMES

Jean-Claude van Itallie’s stunning…romance imagines the heady scholarship

and seductions of the Age of Enlightenment.

Director Jessica Kubzansky guides her small cast to superlative performances…

Von Dohlen, Hackett and Hansen are stage wonders…”

-- Amy Nicholson, LA WEEKLY

“…Jessica Kubzansky’s masterful direction for the world premiere of

Jean-Claude van Itallie’s play...shows off the little jewel of a theater to its fullest advantage.”

Leigh Kennicott, PASADENA WEEKLY

“…engaging and evocative…The great and secret pleasure of experiencing the past

through the eyes of a contemporary author, played out onstage with gifted actors

under the guidance of a fine director, is how much it tells us about our world today.”

-- Hoyt Hilsman, BACKSTAGE WEST

"van Itallie’s beguiling account couldn't be in better hands than the gifted artists

quickly making Theatre @ Boston Court a culturally unwavering entity in our desert wasteland.

'Light' is elegantly and lavishly designed, directed with an extraordinary fluidity

by...co-artistic director Jessica Kubzansky, and acted with utmost precision."

-- Travis Michael Holder, ENTERTAINMENT TODAY

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